Scriptularia

Stephen Heller

nobody@vox.com(Daniel) — Tue, 11 Sep 2007 15:28:00 -0500

Stephen Heller (1813-1888) is, it seems, but little known today, having been largely forgotten by even the time of his own death, nearly a hundred and twenty years ago. He was fairly prolific, however, and, at least for his time, was rather influential. While for myself, I can't claim any great fondness for his larger compositional works, I find that among his short studies and preludes are several pieces I enjoy. Most of them are less than two minutes, many less than one, and yet I still find several charming, and find that they say what they need to in that small window. Perhaps it's only me, or to my taste, but should anyone share it, I will offer here two such little works.

The first is as he wrote it, a brief piano statement, allegretto con spirito, in A minor, being no. 17 of his Op. 47 collection of twenty-five studies for "Rhythm and Expression". It's approximately 52 seconds in length. I am thinking about arranging it as a violin and 'cello duet, but for the moment, for anyone interested, here it is for piano:

Stephen Heller, Op. 47, no. 17

Agrypnia

The other piece, no. 10, Mit rascher Leichtigkeit hingeworfen, in der Art eine Federeichnung, in C# minor, from his Op. 81, 24 Preludes in all keys, was originally written for piano, though I have chosen to render it somewhat differently. I was thinking originally to make it another installment in my series of doing classical works on the six-string bass (first, second), but, alas, not being Billy Sheehan I don't have quite the requisite speed or precision in my right-handed tapping on a bass to pull it off. Yet the form of this piece, I think, makes it particularly well-suited to the guitar family of instruments, so while I couldn't manage it on the bass, I thought perhaps it would make for an acoustic guitar arrangement. Unable to find an acceptable range for the piece however that would allow me to render it as a solo work on that instrument, I've split it into a duet. I've set the left hand line of the piano to a twelve string guitar played with a pick (for both guitars I have gone with steel strings, as I can't get the crispness of this piece from the nylon strings more typical of classical guitar: note that I'm not saying it's impossible, only that I can't do it). For the right hand, the primary melodic line, I have set it to a six string acoustic played with a plucking finger-style. To get the best range on the guitar, I also transposed this to E from the original C#, minor in both cases. The playtime is exactly one minute.

Stephen Heller, Op. 81, no. 10, arranged for guitar

Agrypnia

Finally, to close this with something rather more palatable to the ears than my recent fumbling about, I offer my favorite interpretation of Monti's "Csárdás", performed by the incredibly talented Maxim Vengerov and three of the members of Bassiona Amorosa (with the fab. Roman Patkoló carrying the solo bass), demonstrating that, like the electric bass, the orchestral contrabass is capable of much more than its traditional role of playing a background and supportive role.

Vittorio Monti's "Csárdás" for violin and three basses

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Bibliotecaphilia

nobody@vox.com(Daniel) — Sun, 09 Sep 2007 16:54:00 -0500

Lento en mi sombra, la penumbra hueca
exploro con el báculo indeciso,
yo, que me figuraba el Paraíso
bajo la especie de una biblioteca.
—Jorge Luis Borges, "Poema de los dones"

Paradise

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"Now, put my -what- on the string?"

nobody@vox.com(Daniel) — Wed, 15 Aug 2007 14:04:00 -0500

Though I've played guitar, and a few other strings, a number of years, I must admit this is an entirely new (to me) method of fretting!

Alexander Vynograd plays J.S. Bach's Choral Prelude BWV 639

(Alexander Vynograd's arrangement for an eight string guitar of Bach's BWV639 [the 1713 chorale Ich ruf' zu dir, Herr Jesu Christ, which was used as the theme for Tarkovsky's 1972 version of Lem's Solaris].)

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Vox Hunt: By My Favorite Artist

nobody@vox.com(Daniel) — Fri, 08 Dec 2006 23:09:23 -0600

Show us something by your favorite artist.
Submitted by Miss Parker.

Jean-Léon Gérôme (1824-1904) was, in my opinion, a brilliant painter, and a rather good sculptor, of the orientalist style. While I don't know that I can be said to have a single "favorite" artist, he is certainly one of those I most admire. Perhaps you may see why, seeing a few samples here of his work.

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Adventures in Unicode

nobody@vox.com(Daniel) — Sun, 19 Nov 2006 15:22:03 -0600

Earlier today I happened to notice the Unicode I used in my last post when quoting the book of Job in Hebrew displays improperly in some contexts. Namely, I was checking in via laptop, which is running XP, when I noticed the combining characters for the nikkudot are displayed there as individual characters rather than being combined with—written within, above or below—the consonants to which they're supposed to be attached. So, I just wanted to apologize for my oversight and to any who've encountered or had trouble reading the mangled display. Just for reference, here follow two screen clips showing how the text was meant to be displayed, and how it displays under Windows Vista, vs. how it seems to be rendered on other displays:

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רחין

nobody@vox.com(Daniel) — Thu, 16 Nov 2006 13:39:06 -0600

I've been considering, depending on how Vox's hosting policies evolve, possibly migrating my music blog here. I would like a little more control over editing individual html elements in my entries, but I suppose it's a concession I can live with. The player here seems robust enough that perhaps I can get enough material up that I can spare people the hassle the tagworld player's become of late.

In this post, I'll be making the Vox premiere of the second and third movements of my three-part (book of) Job inspired piece, "רחין", that title being the initials of the first of the three lines of text that inspired the piece and its movements:

רוחִי חֻבָּלָה יָמַי נִזְעָכו
(אֶל־אֱלוֺהַ דָּלפָה עֵינִי)
קְבָרִם לִי

As ever, comments and feedback are welcome.

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A little piano

nobody@vox.com(Daniel) — Thu, 09 Nov 2006 12:55:16 -0600

Feverish and frustrated last night, coming from the flu into bronchitis on top of myriad other issues and irritations from things going wrong or badly with friends and family, I turned, as I sometimes do, to a bit of "key banging" as an outlet for said frustration.

For any curious, I ended up recording the result, which is here, Mens turbulenta. (Now, with a preliminary recording of a string quintet arrangement of the score.)

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Ευτερπη

nobody@vox.com(Daniel) — Tue, 17 Oct 2006 01:13:36 -0500

Wrote a new piece for a friend. Piano quartet, with a primary theme in A maj, and a midsection modulation into F#m, with some experimentation with intentional dissonance near the end of the latter before remodulating back to A maj. Thought I'd try premiering it here with the Vox media/audio options. Opinions/feedback (good or ill) welcome.

Ευτερπη

Agrypnia

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First post; and Greasemonkey

nobody@vox.com(Daniel) — Sun, 08 Oct 2006 21:17:00 -0500

My first effort at blogging here, so I thought I'd offer a small utility of sorts. While making a first effort at putting a profile up, I noticed that it currently replaces any HTML element tags with their HTML mark-up equivalents rather than displaying the HTML desired. Since I see in the Known Issues list that they're working on fixing that, and since my profile relies on a few links, I decided to create a partial, temporary fix of my own. For any Greasemonkey users out there, you can try this simple script. It only fires on Vox profile pages, and only makes changes inside the Profile bio div, and even there only changes the tags back to their original form.

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QotD: Strike up the Band

nobody@vox.com(Daniel) — Sun, 01 Oct 2006 15:50:26 -0500

Do you play any musical instruments?

Several, to varying degrees of competence. Bass guitar, fingerstyle acoustic guitar, psaltery, banjo, mandolin, violin, piano/keyboards, recorder, random and varied other things. Also create my own instruments in cSound and play and write for those.

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